Oil Painting Intermediate – Grisaille

Description

Oil Painting Intermediate – Grisaille Technique

Intermediate Level Oil Painting with Owner/Artist Rose Jarecki is great place to continue your exploration of oil painting techniques.

This is a 5 session class.

In this class intermediate level students will learn how to focus on form caused by attention to the development of light and shadows.  Then using old masters style glazing technique, students will bring up lustrous color, create glowing realism that can only be achieved through multiple layers of transparent oil work.  Students in the class will get a hands-on level understanding of the Master painters of the Renaissance and Baroque periods!

Not your grandmothers oils, the materials are AP non-toxic and smelly turpentine has been replaced by citrus turpinol, creating a clean and safe environment.  For beginners, we script 4 images in 4 weeks, providing you a fantastic base of knowledge.  Continuing to intermediate levels, you select the technique/subject and Rose guides you to your goal through an examination of technique and sidebar drills.  Your fee includes the paint and canvas, mediums. Students are required to have their own brushes.  Call us for the required brush list.

A bit more about this technique:

“Grisaille (/ɡrɪˈzaɪ/ or /ɡrɪˈzeɪl/; French: grisaille, lit. ‘greyed‘ French pronunciation: [ɡʁizaj], from gris ‘grey’) is a painting executed entirely in shades of black and grey or of another neutral greyish color.(Monochrome work is sometimes executed in colors other than grey: a brunaille is a painting executed entirely or primarily in shades of brown, while a verdaille is the same for green. Such works are said to have been painted en brunaille or en verdaille, respectively.

Brunaille and verdaille painting both have their roots in 12th century stained glass made for Cistercian monasteries, which prohibited the use of colored art in 1134. The term “brunaille” was first used to refer to all-brown paintings in the 17th century.

It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider color range.

A grisaille may be executed for its own sake, as under painting for an oil painting (in preparation for glazing layers of color over it), or as a model for an engraver or other printmaker to work from. By the 19th century many illustrations for books or magazines were made reproducing grisailles in watercolor. Full coloring of a subject makes many more demands of an artist, and working in grisaille was often chosen as being quicker and cheaper, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance onward were trained to produce; like drawings they can also betray the hand of a less talented assistant more easily than a fully colored painting.”

Reference above taken from https://en.wikipedia.org/wiki/Grisaille

 

THIS IS AN AMAZING CLASS WITH GREAT RESULTS!